Discover Plauzzable, a game-changing platform for comedians. It empowers artists, revolutionizes performances, and boosts earnings. Meet TV-credited comedians and fresh talents engaging in real-time interactions.
We dive into how comedians and fans interact online & why this is a massive win for the industry!
Leanne, the founder is just amazing and shares every motivation that lead her transformation from accountant to technology platform founder.
Join us for laughs, creativity, and inspiring stories. Tune in to discuss the future of comedy in the digital era!
#Comedy #StandUp #VirtualShows #TechInnovation #PodcastEpisode #Comedians #EntertainmentIndustry #PlausibleDotCom #Laughs #OnlineEntertainment
00:00 Creating online comedy platform, scaling for growth.
04:18 Comedians work for free, created online platform.
09:00 Attends events to support, improve, and learn.
12:42 My family is naturally funny and quick-witted.
13:20 Thrived in public speaking and communication classes.
18:54 Comic creativity and problem solving in New York.
21:36 Are there limitations on what's allowed?
26:01 Audience on the same screen, no delays.
27:29 Talking about sneaking comedy at work.
30:32 Encouraging people to visit plausible.com for comedy.
Connect with Leanne and her Platform on https://plauzzable.com/
Enjoy!
Thomas Brainsky
[00:00:00] Hello and welcome everyone to Brainsky Unleashed. Today we have Lian Linsky. Now Lian is
[00:00:17] an interesting cat because she started a website, she's the founder and CEO of plausible.com
[00:00:25] that is an online, it's like an online comedy site. You can literally go watch a comedy show
[00:00:33] without leaving your couch. I mean talk about unique. So Lian welcome to the program. Let's
[00:00:37] let's talk about this. Thanks for having me. Yeah, I'm happy to talk about all things plausible
[00:00:43] and comedy. I mean why wouldn't you? It's also money in your pocket right so let's get out there.
[00:00:48] All right so plausible. You came up with plausible. It is essentially a way to watch stand-up
[00:00:55] comedy from your computer, your couch, your phone, preferably not the driver's seat of the car
[00:01:01] while you're driving that's probably not recommended. Do you have a disclaimer for that?
[00:01:06] I'm sure I'm sure my lawyer put it into the terms. If not you might want to put that in there.
[00:01:11] I'm exactly so tell me tell me a little bit about this. What is the what what made you decide
[00:01:18] to do this? I'll give you points for creativity but go ahead. So I decided to do it because
[00:01:24] I've been doing... I took my first comedy class in 2001 and then five years later after taking
[00:01:31] lots of classes at my nights and weekends, I ended up being laid off of my job for almost 13 years
[00:01:37] and I was like what and so what else to do but Pack 2 suitcases moved to New York City and pursue
[00:01:43] comedy completely and immersed myself. That's where all of us would do. Right I mean why wouldn't you?
[00:01:51] So yeah so I did that and was in New York for almost nine years and I moved to the west coast
[00:01:57] in California and continued my comedy but I was like this is bananas because now I suddenly
[00:02:05] spending more time in my car on the freeway than I did on any stage. I would have to drive hours
[00:02:11] just to get five minutes of stage time and why hours it's not because I was necessarily far from
[00:02:17] everything but if you're familiar with LA traffic, you're in the car for hours no matter where you're
[00:02:23] going. So the only way you're not in the car for hours in LA is if you're just moving it in and out
[00:02:27] of your driveway. Short of that it's gonna be a long one. Exactly so so I was like how do I
[00:02:33] get more stage time or an opportunity to work out jokes and connect with my fellow comedians
[00:02:41] in between in person gigs and so I thought what if I take it online now this was in
[00:02:47] August of 2019 BC before COVID and so I started doing things with existing technologies like Zoom
[00:02:55] and I had a word press site for my other business at the time and so I made a sign-up page and
[00:03:00] basically cobbled everything together and then my my comics that used to attend my Mike in New
[00:03:06] York for many years started you know they some of them went to 10 and some new people I had met in
[00:03:12] LA and they were like wow this is really great because I I can also save time. I'm like huh maybe
[00:03:18] I'm on to something so I had decided I want to figure out how to scale this so I actually went back
[00:03:23] to school I applied to go get it to get into the program masters program for masters of innovation
[00:03:31] entrepreneurship at University of California Irvine got accepted so then COVID hit right and then
[00:03:38] everybody in California I mean if you were to be anywhere during COVID California was what yeah
[00:03:44] right so so COVID happened everybody took everything online I'm like okay well clearly you know
[00:03:52] there's opportunity here so I went back I did my master's degree and afterward got incubators
[00:03:59] and accelerators but during that time once I created that minimum viable product before COVID and
[00:04:05] started experimenting with it I was like wow this solves one problem of bridging the gap in between
[00:04:11] and person gigs but there's so much more opportunity to solve additional problems in one platform
[00:04:18] like contrary to popular belief most comedians don't get paid you know unless they get TV credit
[00:04:25] they're very well known and they get to a certain threshold in their career but for the most
[00:04:29] and even then you know they still go to open mics and do open mics for free and I mean that's how
[00:04:34] we work out jokes so um so there's this there's this interesting business model where
[00:04:41] we do a lot for free or we work for the theater or venue or we have to bring X number of
[00:04:47] pain customers to it so I decided I want to flip that business model and put the control into the
[00:04:53] comedian's hands right and so I basically created this platform where people could connect online
[00:04:59] so it has the basic website which I raised familiar with what a website is but you can look through
[00:05:05] a directory of comedians you can look through a show listing think TV guide right what's happening
[00:05:11] and then you register but everything happens in real time so like you and I are here in real time
[00:05:16] and we can see and hear each other and interact um right away that's what the shows are like so the
[00:05:23] comedian online is performing for an online audience that can see and hear that comedian and the
[00:05:29] audience can see and hear the rest of the audience as well so think of existing technologies like Zoom
[00:05:35] meets or something like that but we designed it so that the audio there's no audio delay or cut out
[00:05:42] because timing is everything to get laughed right I mean I don't think it'd be worse than you know a good
[00:05:47] punch line and yeah yeah it's silence and then ha ha right it's like throws the comics off
[00:05:55] and then the other thing is the screen layout and everything and how you know if other technologies
[00:06:03] are great they got us through the pandemic they're great for business conferences and meetings but
[00:06:08] for entertainment there's just different needs and so we decided to integrate what we needed into that
[00:06:13] build out and then also the other key thing is how do we get paid so uh on plausible comedians have
[00:06:21] control to set their own prices and then they get the majority of the ticket revenue so even if one
[00:06:27] person shows up and buys a ticket for the show they're making money they don't have a threshold
[00:06:32] to achieve of 10,000 followers and then you have to get a sponsor then you get acts nope
[00:06:38] all you need to do is produce a show set a ticket price one person shows up they buy a ticket
[00:06:42] you get the percentage of that so I mean the house being plausible obviously needs to get a
[00:06:50] you know portion of that ticket yeah but so this is essentially giving the you know giving the
[00:06:55] the comedian the ability to monetize it and and probably actually do better than maybe regular
[00:07:01] stand-up is it would that be a fair assessment? That is fair assessment they can absolutely do
[00:07:05] better than they would in an in-person show and yeah if you do if they do the basic math they can
[00:07:13] earn more in one hour than they could you know in a month of subscriptions on another subscription
[00:07:20] platform and then have to create like content daily it's like why wouldn't you just do one really
[00:07:26] good hour of comedy and get paid for it? Right yeah no that's I mean listen I give you a lot of
[00:07:32] credit the the concept is fantastic you know when when you think about what you've been able to come
[00:07:37] up with it's different it's outside the box now granted I will full disclosure I have not signed
[00:07:43] up I need to sign up and give this a shot do you have any comedians that are that are fairly well
[00:07:48] known at this point do you have more famous people that are joining or is it mostly a lot of just
[00:07:53] local comics who are trying to build their careers? It's a large variety I would say so like
[00:08:00] there are people who who definitely have had some successes under their belt I can say that
[00:08:07] they have TV credits they've done a lot of there are some really good people and there's a lot
[00:08:14] of newcomers as well so it's I think it's a wide variety it's also from coast to coast but also
[00:08:21] other countries we have a good number of comedians from Canada we have from we have a comedian from
[00:08:28] Ireland we have someone from the UK we have someone I think from is it New Zealand I want to say
[00:08:35] we have someone from Sri Lanka like I've seen all these people as they've registered and signed up
[00:08:40] come from all over someone from Japan so yeah wow I mean that's you know that to be able to pull
[00:08:47] that together I mean yeah you got to be pretty proud of yourself that's that's pretty sweet
[00:08:53] thank you I appreciate that how much time do you spend on there doing comedy?
[00:09:00] I try to attend most everything that I when I see people post shows or open mics I try to
[00:09:07] attend everything I can to show support and answer questions I also want to make sure people
[00:09:14] are having a good experience so I observe and see like are people struggling with anything what
[00:09:19] improvements can I make? I believe that I'm a very customer-centric entrepreneur because I in my
[00:09:30] mind doing comedy for over 20 years I know what I want but I need to validate that that's what
[00:09:36] everybody wants and also not the way I put it together is you know the least amount of friction
[00:09:44] and struggle and so I try to be very responsive to their needs so by attending everything
[00:09:51] it you know I do it for many reasons but yeah so I spent today's your question I'm on there
[00:09:56] quite often and daily yeah and I mean but you know when you're on there are you also doing stand-up?
[00:10:02] yeah yeah I hope I have one of the mics on Monday night casual comedy and casual comedy with
[00:10:10] something that I did in California and also I ran my casual sketch in New York for over seven and a
[00:10:18] half years so it's just kind of continuation of that okay um so I got to ask what were you doing
[00:10:28] before comedy what was that job that you were like well that job didn't work out I'm gonna go to
[00:10:33] New York and do comedy what was that about so I actually so I did my undergrad in business
[00:10:39] and when I graduated from UNOV I got a job for a local home builder in Las Vegas and I worked there
[00:10:47] for a year doing accounts payable in the accounting department and then I got hired by a national
[00:10:54] home builder a fortune 500 in their accounting department a couple of us like migrated over to that
[00:11:02] company when they came into Las Vegas market and I stayed there for almost 13 years and I went from
[00:11:07] accounting I did market research for several years and then I went into customer service or so
[00:11:15] I went into construction I was a construction coordinator then a backend superintendent then I went
[00:11:20] into customer service I became an area manager for service and then they asked me to be and during
[00:11:25] the whole time I was there I did a lot of the events for quarterly meetings and big big events
[00:11:33] and things like that and then they said you know you do all these events and I was kind of the
[00:11:38] person who knew everybody and so they created a position called manager cultural development
[00:11:44] that was before we really heard anything about company culture and I did that for several years
[00:11:49] and I planned all of the company events I did all of the new hire onboarding a portion of that
[00:11:56] in conjunction with HR and then we did we me and another coworker we created a whole 90 day
[00:12:03] training program that they ended up rolling out nationally so like we I did all of these things
[00:12:08] and then you know all of a sudden the home building market changed and I was in the one department
[00:12:15] that was like well we could probably lose this very quickly but I mean you literally jumped
[00:12:21] from that I mean that is um that's a gigantic jump yeah to go to New York and do comedy so where
[00:12:30] did the comedy for you come from was this was this out of the womb was this something that you just
[00:12:36] developed as a teenager I mean you know the desire to try and make people laugh yeah my family's
[00:12:43] really funny in fact I was just talking to my brother earlier today and he was like asking about
[00:12:49] plausible because he's attended a few things on here and he's like maybe I'm gonna do some so
[00:12:53] he's writing some joke my family is very funny naturally and my my mom and dad are very
[00:13:00] quick-witted and my dad was always a there my dad's a really great joke teller and my brothers got
[00:13:07] that from him and my mom and and then so I was the youngest so it's kind of like I had to right
[00:13:14] and my parents always would encourage me to tell all these jokes when I was a kid you know and they'd
[00:13:18] be like you know I just got her out telling jokes some people be like what um so so they were always
[00:13:24] encouraged it and then when I got into high school in in college um my better my classes I excelled
[00:13:32] in were anything to do with any public speaking or presentations and communications and so I did
[00:13:37] really well at those and I'd always try to incorporate humor and you know like in one of my international
[00:13:44] marketing classes my poor professor like we're doing these these presentations on like the G7 meetings
[00:13:51] or so I don't know something that was happening and and each person had a country they had to
[00:13:56] represent and everybody was like speaking they'd they'd start their presentation like speaking a line
[00:14:01] from that country and in that language and I might I think we had Germany and I'm like I don't know
[00:14:06] German my partner's like me neither I'm like oh I've got an idea so I spoke big Latin and I was like
[00:14:12] oh big Latin I don't know German and my teacher just put his head down and then everybody just
[00:14:18] started laughing for the longest time because it was like a really serious class so it broke all
[00:14:22] the tension um so so from that point my advisor in college actually said you really need to go into
[00:14:30] entertainment somehow and he encouraged me to like meet with other people in the entertainment
[00:14:36] industry in Las Vegas and then yeah I always had like I was always trying to help bands out
[00:14:43] and promote their shows and things like that I think I like the fact that your your teacher says to
[00:14:48] you this is maybe a teacher you know that has some sort of like mentoring capability to you so
[00:14:52] you're listening right and yeah yeah I think you should go into entertainment you're like oh yeah
[00:14:57] that totally I'm gonna go into accounting right oh I did not want to add accounting was my
[00:15:03] least favorite class oh yeah no I love entertaining people making life you know counts receivables
[00:15:09] me right yeah I was so disappointed to be doing accounts like like I however the people I worked
[00:15:16] with were hilarious like we laughed so much which is scary for the company but um yeah I I did this
[00:15:23] accounting not what I had planned it was like my least favorite subject uh which is actually cool
[00:15:29] that I could get a job doing you know my worst my worst I have your good numbers like you know
[00:15:38] you know I didn't think but I guess I do all right I mean I clearly you had to be okay you know
[00:15:45] yeah it's just it's kind of a funny jump from yeah you were you got a real natural talent for
[00:15:50] entertainment talk going for accounting right I was I had really wanted to work so
[00:15:56] with the phone company because during high school just that's that's funny yeah I had worked I had
[00:16:02] this job working for the phone company for like five years during high school and we're
[00:16:07] at which phone company are we talking like the local phone company is this like Verizon AT&T
[00:16:11] oh where was this is back in the day like when it was the bells now I'll Illinois yeah so like
[00:16:17] what are you doing were you like selling long distance or were you like an operator or again
[00:16:22] account so it's so the first so I worked there some summers and then I worked there during the
[00:16:27] holy school year when I was in uh community college my first two years so I started out working
[00:16:35] like clerical they called it clerical right I was a clerk and I was a citizen secretary to the
[00:16:41] like big area manager whatever when we had lotus and uh word perfect that's oh my you just
[00:16:51] took me back thank you for that yeah yeah good old carbon paper uh so you did it right did
[00:17:00] you get the memo um and I just say the smell of a ditto I can still smell that in my nose as I say
[00:17:08] the word ditto because I did get the privilege of rolling a ditto you know machine yeah and then
[00:17:15] you had like the triplicate copies and stuff oh yeah oh yeah so fun so I did that and then eventually
[00:17:22] after I don't know a couple summers of doing that and then I did six one one repair where people
[00:17:28] so six one one repair is where you have a landline and if they're static on the line or your
[00:17:33] no dial toner whatever you you'd contact six one one by dialing six one one and then we'd be like
[00:17:38] you know Illinois bell repair how can I help you what do you for you you're you're on stage yes I did
[00:17:45] that uh for a while and then I worked uh in the back with the cable in the back there's a massive
[00:17:53] office space you know all cubes it's just like a hundred people and then I eventually moved and
[00:17:59] worked with a cable uh locators in dispatch where people called Julie or you know called Julie to let
[00:18:07] you know before call Julie before you dig and then Julie was an acronym for something and you had
[00:18:13] yeah so so people would call in and they'd be like hey I need you to come mark where the telephone
[00:18:18] lines are before we dig something up and cut a lot and so I kept the log of all the calls for the
[00:18:27] the guys go out and locate the cable yeah wow so so I mean what what what a cool progression
[00:18:34] though to go from you know hi around the air with Julie to uh to to accounting which you know
[00:18:41] I mean it's fun stuff yeah but but you know I do kind of like the fact that you you you managed
[00:18:48] to transition you decide okay accounting is not for me and I can never be Julie forever right so
[00:18:54] you got into your work you hone your skills but into me what's really most impressive is the creativity
[00:19:01] behind plausible I mean talk about problem solving there is a problem that most comics will complain
[00:19:10] about probably in their great you know in the green room you're all probably sitting there bitching
[00:19:14] about the fact that nobody makes any money but you got to do this and you're working out your material
[00:19:18] and all that and then boom you're like oh I've got an idea like how cool is that yeah yeah uh I like a
[00:19:25] good problem to solve I think that's my but someone someone recently asked me what's my motivation
[00:19:30] I'm like I guess a big juicy challenge you know because yeah it's weird right like I do and you're
[00:19:39] you nailed it uh comedians relentlessly complaining about the fact that there's no money in it you
[00:19:45] know there's so many jokes there uh you know I talk about inflation going up you know price of coffee
[00:19:52] price of gas price of homes everything's going up except my comedy career you know like that's
[00:19:58] the general rule and yeah I'm like well how can we fix that like instead of complaining about it
[00:20:05] I'm like what can we do to make it better like you did something about it I mean that's that's
[00:20:09] almost like are you feeling okay because I mean you know when it comes to comedians I you know
[00:20:14] I do have relationships with people who do comedy and you know it's like if they're not complaining
[00:20:21] they're not doing their job I mean most of comedy is like a you know hilarious bitch fest
[00:20:26] well yeah but you manage to solve this problem do they still complain to you yeah oh good all right
[00:20:33] yeah yeah absolutely they do and even when I'm like well I've solved that problem you can do this and
[00:20:40] and uh and oftentimes I find if people don't understand what they can't see so if they have an
[00:20:46] experience to or I haven't seen it then it can't be true right that extends to the human population
[00:20:55] in general if I didn't see it then therefore it can't be true you know like if this didn't happen
[00:21:00] to me it probably didn't have been anybody else and I I have to space to verify that the world is
[00:21:05] around right exactly right um so but there are there's a group obviously that have signed up for
[00:21:14] plausible we have hundreds of comedians on plausible and we have well over a thousand users in general
[00:21:19] so we have a lot of fans but there are the people who are like well I can only picture zoom because
[00:21:26] that's what I know or I can only picture you know in person because that's what I know so the
[00:21:31] seller stuff is foreign to me therefore no uh so I'm gonna ask you this about plausible because now
[00:21:38] now I'm thinking in terms of this platform that you have and I think in terms of society today
[00:21:45] are there are there things that are off limits on plausible like if you get you know because some
[00:21:50] comedians do the clean church humor other comedians as you know are about as raunchy as raunchy can
[00:21:54] be an offensive as can be and you know different types like different types of comedy do you
[00:22:00] do you have limitations to where you're like but you can't say this you can't do that or is it
[00:22:05] pretty much open and you know you could be as offensive as you want or political as you want or
[00:22:09] sexual as you want as many dick jokes as you want I mean can you find all of this unplausible
[00:22:16] you can yeah and so and fans if you can sort by the type of humor you like so what's there's
[00:22:23] early dick jokes it kind of is clean comedy you know like corporate HR friendly uh
[00:22:30] then there's moderate you know somewhere walking the line I guess and then there's club comedy which
[00:22:36] is what you'd expect if you saw a club and then there's blue which is your dick jokes they like
[00:22:40] real raunchy stuff beyond your club humor um and people so when comedians enroll they're encouraged
[00:22:47] to check those boxes so that they can set expectations and you know if you say you do clean comedy
[00:22:55] or corporate comedy then it should be HR friendly you know it should the last thing you want to do
[00:23:01] is like you know have the church lady you know uh lady and or something yeah are you know
[00:23:08] click on you know uh Jason who's going to be making abortion jokes because that's probably not
[00:23:12] going to work out very well yeah and the thing is there are people who do multiple of those
[00:23:19] which is fine so they may have checked all of those boxes and then there's also uh topics the
[00:23:25] comedians can also put in what topics they cover some comedians are very uh political or they talk
[00:23:32] about religion or they talk about and there's others that talk about relationship and are self
[00:23:37] deprecating so they can click those boxes so a fan can come in and check the boxes like maybe I
[00:23:43] don't want to hear anything heavy maybe I just want to hear you know word play like puns an in you
[00:23:47] window or double entendre great just that none of this they can select that and then it will filter
[00:23:52] through what comedians do that um so and as we move forward in development we'll continue to
[00:23:59] to uh those algorithms will prove obviously but also the the filters will be modified and changed
[00:24:08] and improved so that the shows can actually reflect because there might be multiple types of
[00:24:13] comedians in a particular show that one may do one thing and one may do another thing yeah
[00:24:19] right now as far as audience interaction I mean you go to comedy club you know I'm usually that poor
[00:24:25] schmuck that's sitting in the front row what luck you know typically you're gonna pick on the guy
[00:24:31] in the front row you know I'm the fat guy or I'm the this or that yeah it's fucking gay yeah you know
[00:24:37] and uh that word and um you know and and say you get picked on so I mean you know with
[00:24:43] with plausible you know you got a comment you know you you got a guy he's on stage on the screen
[00:24:47] but then we've got all of your audience on screen do they typically find some poor schmuck on the
[00:24:52] screen and start picking on whatever poor schmuck how do they know who's in the front row
[00:24:57] well and does anyone actually have a two drink minimum no two drink minimum uh there's no
[00:25:01] minimum no maximum because you're at home there's no commute uh all is good there the what
[00:25:07] comedians see so what's different about it is um the comedian is always larger than everybody else
[00:25:15] on the screen not full screen but they're larger than everybody else on the screen so they
[00:25:20] maintain focus that because if we're in a gallery view like everybody's familiar with like a
[00:25:25] gallery view you're I'm gonna see what everybody's doing you know I'm scoping out like what's your
[00:25:30] background what are you doing oh what's that person got in their fridge you know whatever that guy
[00:25:34] is a dentist yes right exactly and so yeah so uh so I'm plausible the comedian is always
[00:25:43] dominant on the left hand side and they can also bring someone else to the stage so those two
[00:25:48] people will stack on the left hand side um so if there's a guest or something like that the audience
[00:25:54] is all currently to the right hand side and they'll care us all through but still like you would take
[00:25:59] your mouse and scroll up and down you don't have to click through to another screen nothing like
[00:26:04] that but they can see depending on what kind of device they're on they can see multiple people
[00:26:09] in the audience at any given time no different than us being on stage with a spotlight we can only see
[00:26:16] a handful of people you know unless we pan right or left so you know or pan with our eyes so
[00:26:23] we would a scroll is fairly simple but the audio there's no audio delays are cut out so we can hear
[00:26:30] everybody laugh in real time and it doesn't cut out the punchline it doesn't cut out the the speaker
[00:26:37] unless someone's doing something really loud you know on their end uh so yeah is there either like to
[00:26:44] control like let's say you know we're because i mean you see this on zoom all the time right
[00:26:49] and so you got somebody they're talking about well let me demonstrate this is a spreadsheet and
[00:26:54] you could tell because it has cell you know and then you got some a hole in the background as a guy
[00:26:58] you got that got the you know the the husband or wife is running the vacuum and the kids are barking
[00:27:03] and dogs are screaming or whatever and i mean is there someone that can mute that so the rest of
[00:27:07] people can enjoy their show yeah so the host comedian commute or the host can have a cohost
[00:27:13] whoever initiated the show and put it on the schedule they can make someone else a cohost so
[00:27:17] that if they're performing someone else can be like mute mute mute you know or from your video
[00:27:22] off if you're doing something inappropriate so there is that capability that we're accustomed to
[00:27:27] yeah absolutely all right and then and then for like you know i mean to me like i'm thinking
[00:27:32] about it and it's like you know i'm at my house or i'm sitting at work because i wouldn't want
[00:27:37] to work right and so i'm sitting at work and i'm in the office and of course you know maybe everyone
[00:27:43] else is working around me but i'm trying to sneak myself some comedy i mean how many people are
[00:27:48] actually you know visibly you know clapping and ha ha or they all i mean do you have a lot of
[00:27:55] people who are kind of hiding the fact that they're doing this when they shouldn't be ideally everybody's
[00:27:59] laughing and clapping all the time ideally sure but i mean how many people are actually like um
[00:28:05] you know i would say most of the people who come on uh will turn it on and in a host at the beginning
[00:28:15] a good host will say hey we encourage you to turn your video on you mean it it's gonna stop
[00:28:21] out you know and they do a good job of explaining that and then also like go ahead don't be shy
[00:28:26] like um you can turn it on you know if appropriate if you for whatever if you have a lot of background
[00:28:32] noise of course don't turn your audio on but we have emojis with sound created specifically for
[00:28:37] comedy so like we have a rim shot we have a what what we have you know a yay and then all
[00:28:43] of obviously laughter in the plot so people can use the emojis if they they choose to
[00:28:49] which are at a lower volume than everything else so they also don't annoy or distract
[00:28:55] but typically people are pretty good about putting putting on their camera in their audio
[00:29:00] and and yeah that i mean that's vital to the success of a comedian of course of course yeah
[00:29:07] all right so listen we've uh we've come to the end of my interview with you um i would love
[00:29:12] to ask you one very important question um why haven't you been on Joe Rogan yet
[00:29:20] that's a great question have you want you know well thanks do you know Joe i don't unfortunately
[00:29:27] i was hoping maybe if you did if you it was you're like oh no i've been on it'd be a great
[00:29:31] introduce me uh but i mean you know i think you need to go on his show to promote this product so
[00:29:36] that way this this this service right with the service can can get bigger i really like the concept
[00:29:41] thanks yeah that would be great i would i would love to so yes so you know as as we produce uh
[00:29:47] you know content from this episode just by the way let's both agree this is probably the greatest
[00:29:51] interview i've ever been on we know i get it without a doubt let me see yeah come on uh then uh
[00:29:56] you get some microcontent out of this and uh you know you can kind of spread it out there and get
[00:29:59] Joe to pick it up and be like hey i got to get lian on here i mean i realized that i've had Elon
[00:30:06] Musk but i haven't had lian so i got to get lian on here yeah definitely so like even our followers
[00:30:12] they can like and share and then take Joe and tag Joe Rogan be like look at this she was on the
[00:30:20] brain ski unleashed podcast not only should should he have view on but why wouldn't he have me on
[00:30:26] and me look at me i'm like i'm sex appeal i'm just kidding and you're such a great host damn right
[00:30:32] you're absolutely right so listen everyone please please visit plausible i'm gonna sign up
[00:30:39] i'm gonna be in the audience i'm gonna clap and not run a vacuum or maybe i will run a vacuum
[00:30:45] on mute just so others can sit there and watch me vacuum while watching comedy and so you should
[00:30:51] go to plausible.com now lian spell that for me and we will have a link to go ahead and spell it
[00:30:57] because it's different than you think p l a u z z a b l e dot com look at that i guarantee i'm probably
[00:31:09] the only woman made her spell that out again lian thank you so much for uh for coming on the show
[00:31:15] uh thank you everyone for sharing this episode tagging Joe Rogan he needs to have this guy
[00:31:22] and this gal on his show thank you you bet

